“It was really good. Everyone has a different way of working; I learned that a long time ago. Kristen is an old pro, she’s been working since she was a child. She comes ready to go. She’s got her character down; she knows what she wants to do. She’s very open to ideas as well. She’s ready to play. Taylor is the same way, he’s been working since he was a kid as well. I have a hard time thinking him of a kid, because he’s got that man body, but he still has that baby face. The thing is they’re both good people, that’s what I love about them. They’re both egoless. We did a scene in Emily’s home and Kristen got all her scenes done and she stayed. She stayed for us to do all our close ups. You don’t have to stay, you can get a stand in to come in and say all your lines but she stayed the whole time. And it was a long day. So that shows what kind of integrity and what a trooper she is. I really tip my hat to her on that. Taylor is working, when he’s not doing his scene he’s getting his muscles pumped, with all of us, we’re all doing push ups between scenes. Those two, I like working with them, they come in they’re ready to go, but they also know when to have a good time. They keep it light on the set as well, which is really good for an actor, you have to stay relaxed on set.”
Get the rest of the Chaske Spencer interview on Radar Online.
This entry was posted on Friday, September 11th, 2009 at 9:13 am and is filed under News. The entry is tagged under Chaske Spencer.
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9.11.2009
Kristen:Vampires are sexy
KRISTEN Stewart has revealed she finds vampires very sexy.
The Twilight actress, who is rumoured to be head-over-heels for her co-star Robert Pattinson, says she finds the idea of "completely letting something take over" very interesting.
She said: "Vampires are sexy because they are meant to draw you in to the point where they have you in a complete state of submission.
"So that's sexy a little bit - to give yourself to something to completely let something take over."
And Kristen, who has so far refused rumors she is romancing heartthrob Robert Pattinson off-screen, added: "It's forbidden fruit, something you can't have but just want more."
The actress, who is currently in Vancouver with the rest of the cast shooting Eclipse, has become a household name for the role in the Twilight saga.
But worldwide attention has posed some problems for the young starlet, who has kept a low-profile since filming began.
The 19-year-old was reportedly spotted leaning in for a kiss with Rob at a Kings Of Leon concert, fuelling speculation their on-screen love has entered their real lives too.
The Twilight Saga: New Moon - the second film in the series - also starring Robert Pattinson, will be released November 20th.
Kristen is currently starring in Adventureland, which hits UK cinemas today.
OK magazine
New "New Moon" trailer before Sorority Row
New "New Moon" trailer was shown on the premiere of the film "Sorority Row". As I expected they show almost the entire plot of the film. I'm so excited now even more. Good think that I have MTV that will show the VMA's :P. Well it's not sure if that the same trailer that they will show on the awards but I don't think it would be different. So here is the info about the trailer
- Volturi lair - Aro, Caius, Marcus
- Felix fighting Edward
- Edward being thrown about the lair two or three times.
- Bella begging them to not hurt him
- Edward leaving Bella in the woods (more dialogue than we've already heard)
- Bella in the woods
- Bella in despair in her room
- Bella confronting the pack, Paul morphing in to a wolf in front of Bella
- Bella and Jacob with Jacob's "I would never hurt you" line
- Bella on the bike seeing Edward and falling over.
- Edward vision in the school parking lot with voiceover from Bella saying it's the only way she can see him
- Bella and Jessica walking with Jessica saying "so you're an adrenaline junkie now"
- Bella on the cliff diving into the water. Bella in the water seeing Edward
- Jacob rescuing her and asking why she did that
- Alice appearing and telling Bella that Edward is going to kill himself
- Jacob trying to stop Bella from leaving to stop Edward
- Shot of the Porsche in the countryside, and Bella and Alice in the car
- Volterra and the parade
- Shirtless Edward
- Bella running to stop him in the fountain
- Jane saying something like 'this may hurt a little'
- Volturi lair - Aro, Caius, Marcus
- Felix fighting Edward
- Edward being thrown about the lair two or three times.
- Bella begging them to not hurt him
- Edward leaving Bella in the woods (more dialogue than we've already heard)
- Bella in the woods
- Bella in despair in her room
- Bella confronting the pack, Paul morphing in to a wolf in front of Bella
- Bella and Jacob with Jacob's "I would never hurt you" line
- Bella on the bike seeing Edward and falling over.
- Edward vision in the school parking lot with voiceover from Bella saying it's the only way she can see him
- Bella and Jessica walking with Jessica saying "so you're an adrenaline junkie now"
- Bella on the cliff diving into the water. Bella in the water seeing Edward
- Jacob rescuing her and asking why she did that
- Alice appearing and telling Bella that Edward is going to kill himself
- Jacob trying to stop Bella from leaving to stop Edward
- Shot of the Porsche in the countryside, and Bella and Alice in the car
- Volterra and the parade
- Shirtless Edward
- Bella running to stop him in the fountain
- Jane saying something like 'this may hurt a little'
Twilight fame hasn't changed Kristen
Kristen Stewart's Adventureland co-star Jesse Eisenberg has said that the actress's Twilight fame hasn't changed her.
Eisenberg, who worked with Stewart on this week's coming-of-age comedy before she starred as Bella Swan in Twilight, told DS that the 19-year-old is coping well with her success.
"Nobody really changes," he said. "It's not the most comfortable thing to be in the spotlight so much. I've seen her since filming of course and under the circumstances she's handling it very well. I think it would make me crazy! Even the little publicity I get for this movie is making me so self-aware and uncomfortable, so I can't imagine what it's like for her."
Eisenberg added that his girlfriend is often mistaken for Stewart, saying: "When Adventureland came out [in the US], my girlfriend got recognised as Kristen. This has happened a few times with people on the street. Somebody said, 'Are you from Adventureland?' She was like, 'I can't believe this'."
Eisenberg, who worked with Stewart on this week's coming-of-age comedy before she starred as Bella Swan in Twilight, told DS that the 19-year-old is coping well with her success.
"Nobody really changes," he said. "It's not the most comfortable thing to be in the spotlight so much. I've seen her since filming of course and under the circumstances she's handling it very well. I think it would make me crazy! Even the little publicity I get for this movie is making me so self-aware and uncomfortable, so I can't imagine what it's like for her."
Eisenberg added that his girlfriend is often mistaken for Stewart, saying: "When Adventureland came out [in the US], my girlfriend got recognised as Kristen. This has happened a few times with people on the street. Somebody said, 'Are you from Adventureland?' She was like, 'I can't believe this'."
Chris Weitz: Fansite Friday Interview Part II
This is our final Fansite Friday. we’re sure that you won’t be disappointed in the rest of what Chris Wietz had to say. All totaled it was an unheard of 25 minutes of interview on set that was filming. We’d again like to thank our set visit buddies. In many fandoms, site don’t get along. This isn’t the case here. Shout out to Twilighters Anonymous, His Golden Eyes, Twilight Moms, Twilight Series Theories, Twilight Source/ Imprint!
Q: I’m wondering since you’re so good with CGI, and it’s your forte, how’s the design for the werewolves coming?
Chris: I think it’s going to be good. We’re taking Stephenie’s lead really they’re supposed to be wolves the size of horses. The temptation…we’ve avoided any temptation to kind of go Lon Chaney with it, or to make it kind of humanoid. The werewolves are very much creatures of nature.
Phil Tippet is doing the …it’s not me, I’m not the one who’s good at doing CGI I just happened to have lucked into working with people who are very good at it. So, I just know a good thing when I see it, and Phil Tippet who is a multi-Oscared guy (ILM) worked on Stars Wars and all that stuff is doing the wolves, and they’re going to be great. They’re going to be fantastic.
So and at the same time they are going to fit that world that’s already there. You can’t suddenly hop out of reality. Somehow what Stephenie manages to do is to mix the emotions that everybody feels at some point in their lives with these kinds of supernatural things: vampires and werewolves and stuff. It would be wrong if you suddenly saw a werewolf in a different kind of movie. They have to be carefully integrated. If there’s one thing I’m good at with CG is that I don’t like it to jump to the foreground too much. I like it to settle in like any other aspect.
Q: So it looks natural?
Chris: Yeah, Yeah.
Q: How is this compared to The Golden Compass just as a development process?
Chris: It’s been an easier process. Let me see how am I going to put this? I found a lot less interference from Summit in terms of…and a lot more understanding the books than A-Line had of Golden Compass. So I think there’s a studio that understands the importance of the books…the studio…the members of which who have read the books and appreciate them and do not just see them as engines of possible profit. So that makes a tremendous difference. It really does.
There were a lot of parts in Twilight that were a homage to the cover and Stephenie had a cameo. Are there any plans to put your spin on that I this movie at all?
Well I know that Stephenie did not like the tulip on the cover. So we won’t seeing that. Let me see, I don’t know that there are any trick cameos per say, but every time I make a movie I definitely want there to be 20-30 moments where if you had a DVD and stopped it and really looked carefully to see what was going on…whether it be kind of strange bits of foreshadowing, sort of as though you could see into the future in certain scenes or whether it would just be little moments that passed by unnoticed, or details of the architecture of things. I love doing that sort of stuff.
Q: It sounds like it’s going to be very multilayered and well done.
Chris: Yeah I think I mean nothing in a bad way like placement advertising (Bella prefers Pepsi…drink Coke).
Part of my job in preproduction assembling the team to make the movie is to try to find the right people to make the movie that everyone cares about the details intentionally. So it is going to be incredibly layered intentionally.
And when for instance, all the kids who were all First Nations…they call them First Nations here, what you’d call Native Americans in America, went and saw Jacob’s house which you only saw for like 10 seconds I the movie…like just walking them through the house for the first time was a great experience because it…they’re like, “Wow, this feels just like the house I grew up in on the reservation.” And it wasn’t the reservation like what one imagines in a clichéd kind of way. It was just the fact that in La Push people have lots and lots of picture of their family up on the wall and little bits of carving, or this or that whatever it may be.
All these details were very carefully researched, that our production team went down to La Push and you know met people there. There are fun little details. A girl from La Push gave a member of our production team her first drum. You’re supposed to give away your first drum . It was really great. And so we put it in the movie. It’s there in the movie she’ll see it. Little things like that where it might be just a little reference from us to one person. These little things accrue and mean something.
Q:What has been your biggest challenge?
Chris It’s a challenge to make a movie anyway, especially one that’s coming out in November. Probably the biggest challenge will be getting it out on time and making sure that every little detail at least in my mind is right. I’m rather obsessive and I tend to be a worry-wart about things. You know going into it that there’s going to be a lot of interest, that people are going to see it. For me that’s not enough, like I really want to deliver on everything that I’ve promised. So that’s the really tough thing, making sure that you don’t just go do your job and go home. Every second is an opportunity either exploited or wasted to get something right basically.
Q: Do you have a composer in store for us?
Chris: Alexandre Desplatis going to be the composer who is extraordinary. He did the score for Benjamin Button, Golden Compass. He worked for Syriana. He is an extraordinary talent in general but especially for something that has a kind of romantic swoop to it. He has this kind of comprehensive familiarity for romantic music but can also work in multiple sizes of orchestra, multiple genres. He can work with synthesizers, work with ethnic percussion ensembles. He can work with symphonies. I know that he is going to do something beautiful. I also know that sometimes when we are shooting something that I am going to be leaving room for his music. And that’s going to be this other layer that is going to bring so much to it.
Q: Have you made any progress on the soundtrack yet. Any bands that you are looking at or have you thought about any particular songs or a tone that you are going for?
Chris: Of course a lot of the tone of the movie is melancholy, and so it’s kind of an opportunity to do the breakup album of all time. (laughs) And yeah there’s a bit room for songs that correspond more to Jacob and to his sunny quality his goodness. To be honest, no. I haven’t yet figured out who is going to be on the soundtrack yet. We are in a really nice position because Alexandra Patsavas, who was the music supervisor on the first movie, is coming back. We’re in a really great position of that album of having done so well that bands are now terribly interested.
Q: Do you have a preference underground bands or mainstream, do you have a preference as far as that?
Chris: Umm I really don’t have any particular preference. I would like it to be a mix basically. It’s whatever is right for the tone as long as it fits.
Q: Have you seen any costume designs for the Volturi. How is it different from the books.
Chris: It fits with the books.
Q: The Black cloaks?
Chris: Yes the black cloaks are all there. The degrees of blackness are very carefully kind of rationed out.
Q: The sets for the Volturi’s lair?
Chris: I think the set for the Volturi’s lair is going to be really interesting for the fans. It’s going to be really fun. It’s first of all one of the biggest sets I’ve ever seen. It’s one of the grandest that I’ve ever seen. It’s what it deserves. (Well they are the Volturi) They’re a big deal. (They don’t go small) No, they don’t go small. (laughs)I think it’s first of all just shooting Volterra itself obviously you have to get that right the race to the square and all that but when we get inside it’s going to be fairly extraordinary. I’m very happy with it.
Q: Are you filming the interiors here in Vancouver?
Chris: Were filming the interiors here. Yeah we’re building the interiors because we get to make up that interior and control it ourselves. The exteriors belong in Italy.
Q: How the chase seen looking, is it any longer, and changes?
Chris: Not really. No I think we are going to try to deliver down to the yellow Porsche to get the details right.
Q: I’m wondering since you’re so good with CGI, and it’s your forte, how’s the design for the werewolves coming?
Chris: I think it’s going to be good. We’re taking Stephenie’s lead really they’re supposed to be wolves the size of horses. The temptation…we’ve avoided any temptation to kind of go Lon Chaney with it, or to make it kind of humanoid. The werewolves are very much creatures of nature.
Phil Tippet is doing the …it’s not me, I’m not the one who’s good at doing CGI I just happened to have lucked into working with people who are very good at it. So, I just know a good thing when I see it, and Phil Tippet who is a multi-Oscared guy (ILM) worked on Stars Wars and all that stuff is doing the wolves, and they’re going to be great. They’re going to be fantastic.
So and at the same time they are going to fit that world that’s already there. You can’t suddenly hop out of reality. Somehow what Stephenie manages to do is to mix the emotions that everybody feels at some point in their lives with these kinds of supernatural things: vampires and werewolves and stuff. It would be wrong if you suddenly saw a werewolf in a different kind of movie. They have to be carefully integrated. If there’s one thing I’m good at with CG is that I don’t like it to jump to the foreground too much. I like it to settle in like any other aspect.
Q: So it looks natural?
Chris: Yeah, Yeah.
Q: How is this compared to The Golden Compass just as a development process?
Chris: It’s been an easier process. Let me see how am I going to put this? I found a lot less interference from Summit in terms of…and a lot more understanding the books than A-Line had of Golden Compass. So I think there’s a studio that understands the importance of the books…the studio…the members of which who have read the books and appreciate them and do not just see them as engines of possible profit. So that makes a tremendous difference. It really does.
There were a lot of parts in Twilight that were a homage to the cover and Stephenie had a cameo. Are there any plans to put your spin on that I this movie at all?
Well I know that Stephenie did not like the tulip on the cover. So we won’t seeing that. Let me see, I don’t know that there are any trick cameos per say, but every time I make a movie I definitely want there to be 20-30 moments where if you had a DVD and stopped it and really looked carefully to see what was going on…whether it be kind of strange bits of foreshadowing, sort of as though you could see into the future in certain scenes or whether it would just be little moments that passed by unnoticed, or details of the architecture of things. I love doing that sort of stuff.
Q: It sounds like it’s going to be very multilayered and well done.
Chris: Yeah I think I mean nothing in a bad way like placement advertising (Bella prefers Pepsi…drink Coke).
Part of my job in preproduction assembling the team to make the movie is to try to find the right people to make the movie that everyone cares about the details intentionally. So it is going to be incredibly layered intentionally.
And when for instance, all the kids who were all First Nations…they call them First Nations here, what you’d call Native Americans in America, went and saw Jacob’s house which you only saw for like 10 seconds I the movie…like just walking them through the house for the first time was a great experience because it…they’re like, “Wow, this feels just like the house I grew up in on the reservation.” And it wasn’t the reservation like what one imagines in a clichéd kind of way. It was just the fact that in La Push people have lots and lots of picture of their family up on the wall and little bits of carving, or this or that whatever it may be.
All these details were very carefully researched, that our production team went down to La Push and you know met people there. There are fun little details. A girl from La Push gave a member of our production team her first drum. You’re supposed to give away your first drum . It was really great. And so we put it in the movie. It’s there in the movie she’ll see it. Little things like that where it might be just a little reference from us to one person. These little things accrue and mean something.
Q:What has been your biggest challenge?
Chris It’s a challenge to make a movie anyway, especially one that’s coming out in November. Probably the biggest challenge will be getting it out on time and making sure that every little detail at least in my mind is right. I’m rather obsessive and I tend to be a worry-wart about things. You know going into it that there’s going to be a lot of interest, that people are going to see it. For me that’s not enough, like I really want to deliver on everything that I’ve promised. So that’s the really tough thing, making sure that you don’t just go do your job and go home. Every second is an opportunity either exploited or wasted to get something right basically.
Q: Do you have a composer in store for us?
Chris: Alexandre Desplatis going to be the composer who is extraordinary. He did the score for Benjamin Button, Golden Compass. He worked for Syriana. He is an extraordinary talent in general but especially for something that has a kind of romantic swoop to it. He has this kind of comprehensive familiarity for romantic music but can also work in multiple sizes of orchestra, multiple genres. He can work with synthesizers, work with ethnic percussion ensembles. He can work with symphonies. I know that he is going to do something beautiful. I also know that sometimes when we are shooting something that I am going to be leaving room for his music. And that’s going to be this other layer that is going to bring so much to it.
Q: Have you made any progress on the soundtrack yet. Any bands that you are looking at or have you thought about any particular songs or a tone that you are going for?
Chris: Of course a lot of the tone of the movie is melancholy, and so it’s kind of an opportunity to do the breakup album of all time. (laughs) And yeah there’s a bit room for songs that correspond more to Jacob and to his sunny quality his goodness. To be honest, no. I haven’t yet figured out who is going to be on the soundtrack yet. We are in a really nice position because Alexandra Patsavas, who was the music supervisor on the first movie, is coming back. We’re in a really great position of that album of having done so well that bands are now terribly interested.
Q: Do you have a preference underground bands or mainstream, do you have a preference as far as that?
Chris: Umm I really don’t have any particular preference. I would like it to be a mix basically. It’s whatever is right for the tone as long as it fits.
Q: Have you seen any costume designs for the Volturi. How is it different from the books.
Chris: It fits with the books.
Q: The Black cloaks?
Chris: Yes the black cloaks are all there. The degrees of blackness are very carefully kind of rationed out.
Q: The sets for the Volturi’s lair?
Chris: I think the set for the Volturi’s lair is going to be really interesting for the fans. It’s going to be really fun. It’s first of all one of the biggest sets I’ve ever seen. It’s one of the grandest that I’ve ever seen. It’s what it deserves. (Well they are the Volturi) They’re a big deal. (They don’t go small) No, they don’t go small. (laughs)I think it’s first of all just shooting Volterra itself obviously you have to get that right the race to the square and all that but when we get inside it’s going to be fairly extraordinary. I’m very happy with it.
Q: Are you filming the interiors here in Vancouver?
Chris: Were filming the interiors here. Yeah we’re building the interiors because we get to make up that interior and control it ourselves. The exteriors belong in Italy.
Q: How the chase seen looking, is it any longer, and changes?
Chris: Not really. No I think we are going to try to deliver down to the yellow Porsche to get the details right.
Ashley Gets "Battered and Bruised" on Eclipse Se
“We’re getting battered and bruised, but it’s good, though,” she told MTV News. “We’re kind of just getting into it. All the battle and fight stuff is going to happen next month.”
The actress, who recently signed on to be MTV News’ VMA preshow fashion correspondent, assured fans that if you see pictures of her all black-and-blue, there’s no need to worry for her well-being.
“It’s going really smoothly. It’s going really well,” she said. “We’re all working really hard and learning how to kick butt. I don’t know if you’ve seen recent pictures, but I have bruises all over my body. It’s those wires. It looks like a hand mark on my arm, and it’s definitely from wires.”
The actress, who recently signed on to be MTV News’ VMA preshow fashion correspondent, assured fans that if you see pictures of her all black-and-blue, there’s no need to worry for her well-being.
“It’s going really smoothly. It’s going really well,” she said. “We’re all working really hard and learning how to kick butt. I don’t know if you’ve seen recent pictures, but I have bruises all over my body. It’s those wires. It looks like a hand mark on my arm, and it’s definitely from wires.”
Peter Travers' Fall Movie Preview:New Moon
November 20th
This sequel might just hack it as the fall’s fattest cash cow. The first film from Stephenie Meyer’s four-book series of bloodsucking lore collected nearly $400 million worldwide. And that was before Robert Pattinson, as vegan vampire Edward Cullen, found his suitable-for-sucking face on every tween’s bedroom wall. It could hurt that Pattinson cedes screen time in the sequel to Taylor Lautner as Jacob, the werewolf who fights Edward for the human heart of Bella Swan (Kristen Stewart). But my guess is it’ll double the pleasure of Twi-hards who won’t care if critics snicker. They did the first time. Like that mattered.
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